Essays on photography

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Banbury Place is more than 1,900,000 square feet of floor space available for rent. It is Eau Claire’s most well-known industrial landmark. It offers a wide range of on-site amenities creating a vibrant activity center which facilitates the networking of tenants. Derek Wood’s articles on the History of early Photography, the Daguerreotype and Diorama. These videos are montages of 640 images from each city. The selfies are identically aligned with respect to eye position and sorted by the head tilt angle. We present our findings about the demographics of people taking selfies, their poses and expressions.

The interactive selfiexploratory allows you to navigate the whole set of 3200 photos. Finally, theoretical essays discuss selfies in the history of photography, the functions of images in social media, and methods and dataset. Each city has a different style when it comes to selfies. Is it just me, or do Sao Paulo women actually tilt their heads more? Do New Yorkers or Berliners look older?

In order to answer these questions, and supplement our rudimentary automatic face analysis with human judgment, we had thousands of photos inspected by Mechanical Turk workers, who estimated age and gender of the people on the photos. Experiment with all the data we collected. Do angry people tilt their heads more strongly? And what is a characteristic mood for people in Moscow? 656’000 images we collected on Instagram. 2-4 Amazon’s Mechanical Turk workers tagged each photo. For these, we asked Mechanical Turk workers the simple question “Does this photo shows a single selfie”?

On the resulting set of selfie images, we ran automatic face analysis, supplying us with algorithmic estimations of eye, nose and mouth positions, the degrees of different emotional expressions, etc. As the final step, one or two members of the project team examined all these photos manually. While most photos were tagged correctly, we found some mistakes. 640 selfie photos for every city. 3 times as many in Bangkok to 1. Moscow is a strong outlier – here, we have 4.

6 times more female than male selfies! Men’s average age is higher than that of women in every city. Sao Paulo is most extreme – there, the average head tilt for females is 16. How can we approach theoretically social media images in general?

This essay reviews some of the most recent debates on the selfie phenomenon and places it into a broader context of photographic self-portraiture, investigating how the Instagrammed selfie differs from its precursors. Writing about media interface presentations and their relation to larger cultural trends is tricky. Different elements are constantly added, changed or removed, new services are frequently developed and released to public use, and new technologies capture the imaginations of many. Within this flux, what can we say about social photography in particular and contemporary image productions in general, that is not confined to the characteristics of one platform or another?

As large-scale media visualizations from the Selfiecity database of images shot in five cities on four continents indicate, the selfie has become a truly transnational genre that is as much about placemaking as it is about the narrowcasting of particular faces and bodies. Data visualization and mobile interaction designer, Ph. Media Informatics from the University of Munich. The Graduate Center, City University of New York. Visual social media researcher, PhD student, University of Pittsburgh. Web and Mobile Developer at Motive Interactive.

The development of selfiecity was supported by The Graduate Center, City University of New York, California Institute for Telecommunication and Information, and The Andrew W. And big thanks to gnip for the support with the data collection! Who takes more selfies: Women or men? Why do women over 40 take fewer selfies? New: Check out Selfiecity London, our adaptation of the project for the Big Bang Data exhibition, Somerset House, London. American short story writer and novelist who wrote about the American South. Her novel The Optimist’s Daughter won the Pulitzer Prize in 1973.

She grew up with younger brothers Edward Jefferson and Walter Andrews. Near the time of her high school graduation, Welty moved with her family to a house built for them at 1119 Pinehurst Street, which remained her permanent address until her death. Hedrick designed the Weltys’ Tudor Revival-style home, which is now known as the Eudora Welty House and Garden. Welty studied at the Mississippi State College for Women from 1925 to 1927, then transferred to the University of Wisconsin to complete her studies in English literature. Soon after Welty returned to Jackson in 1931, her father died of leukemia.

She took a job at a local radio station and wrote about Jackson society for the Memphis newspaper Commercial Appeal. In 1936, she published “The Death of a Traveling Salesman” in the literary magazine Manuscript, and soon published stories in several other notable publications including The Sewanee Review and The New Yorker. After Medgar Evers, field secretary of the NAACP in Mississippi, was assassinated, she published a story in The New Yorker, “Where Is the Voice Coming From? She wrote it in the first person as the assassin.